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MURAT’S ROMA, perceptions, remembrances, places – March 2020

Exhibition

Free entry

In the spring of 2018, Murat had the good fortune (although those who have come to know him and his work would say that this was a well-earned recognition of his talent) to spend three months in The Eternal City, as a painter in residence at the British School at Rome. Murat used this time to explore the city and its surroundings, choosing an area to explore, or indeed to get lost in, every day, as well as hanging out with his Renaissance Art idols at every opportunity. Rome is indeed a monumental city, where it easy to be entranced by the grandeur of buildings and of piazze with their spectacular fountains. And not forgetting the sheer ‘campery’ of religious spectacles – like the meticulously choreographed sound and light show in the left transept of the Chapel of St. Ignatius of Loyola, where a painted altarpiece slowly descends to reveal a silver statue depicting St. Ignatius getting ready to nip off up to heaven – every afternoon around 5.30 PM. Or time-travelling at San Clemente where if you permit your eye to hone in on details, like Murat, you will encounter geometrical, cosmatesque shapes and patterns that have been transported from the Islamic East, from Byzantium. An important caveat from the artist and his grandmother however – never ignore the periphery for your eye might just capture something magical: djinns – spirits of the forest – some of them good, others not – but always red-headed. You might just be surprised what you can witness on a quiet afternoon spent with the cherry blossoms at the Parco Centrale del Lago or an early, early morning at the Vatican or at the Piazza Navona before the throngs of tourists and flâneurs descend. In this collection, Murat, continuing his journey through a Camp lens, has minimised the use of the paintbrush – quite the challenge for a painter. What you are experiencing here is an exploration of ‘needlework’, reminiscent of Persian relief painting, with industrial enamel paint painstakingly applied and manipulated by needles to create both detail and whimsy. Sydney, February 2020 

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SCIENCE AND ART IN CONVERSATION SYDNEY SCIENCE FESTIVAL

Art Science Public talk with Drinks

15 August 2019 6-8pm / $5.50 inc get event is fully booked

The Sydney Science Festival 2019 is underway and CULTURE AT WORK shares the stories of artists and scientists who have collaborated in art-science Residencies over the past decade.

Science and Art  in Conversation will be held on Thursday 15th August 6-8pm.

Artists:

Marta Ferracin

Jo Burzynska

Laura Jade Hindes

Liz Shreeve

Lea Kannar -Lichtenberger

Scientists

Dr David Gallego-Ortega Garvan Institute

Dr Robert Baker University of Sydney

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MAKERSPACE : BUILD, CODE, CREATE – Jonathon Bolitho workshop

Art Science STEAM workshop for children accompanied by parents or grandparents,

2019 Sun 9am-10am / FREE

STEAM (Science, Technology, Engineering, Art & Math) Workshops

Magformers make amazing constructions: Magically they click together to enable small hands to building sturdy creations. Come along with your kids or grandchildren to join the fun. A one hour free workshop with artist and scientists to help you with your making.

Come along and check out the new equipment that we have set up in our Maker Space.

The Maker Space will have school holiday paid programs on offer.

 

 

 

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CULTURE AT WORK 2019 SPONSOR – THE STAR

Last Sunday each month 9-10am / FREE

CULTURE AT WORK is grateful for the support of a 2019 community grant from The Star.

Our family workshops are designed to bring the whole family and extended family together to play and create, experiment using a range of great play materials including Magformers, Little Bits, Lego and craft. CULTURE AT WORK is 10 years old this year on 24 Feb 2019.

Our education program is based on the theoretical framework of Lev Vygotsky, a Russian psychologist and amazing thinker. He observed children learning incrementally from engaging with another person. This process is called the Zone of Proximal Development or the ZPD. CULTURE AT WORK bases its programs and residencies on the work of Lev Vygotsky. That is why we invite parents and grandparents to come and learn and play with children and grandchildren. We can all learn from each other. Come and PLAY!

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Entropy an exhibition by Lisa Tolcher and Marta Ferracin

Art Science Residency

3-17 Nov 2018 / Free entry

Entropy is a collaborative art-science residency project at CULTURE AT WORK in 2018 by Marta Ferracin and Lisa Tolcher. The artists have undertaken research in the fields of art and chemistry engaging with the processes of life and decay – taking over CULTURE AT WORK and its galleries and courtyard.

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Art-Science Residencies 2019 – OPEN NOW

Applications close March 31 March 2019

CULTURE AT WORK 2019 Art-Science Residency Program is calling for applications NOW!

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CREATIVE GALAXIES: SPACE + DATA + COMPOSITION

CULTURE AT WORK’S NEW INNOVATIVE EDUCATION PROGRAM

Delivered by experts in space science, the program introduces the concept of “big data” using stage 3 curriculum: Earth and Space.

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CULTURE AT WORK Artist in Residence 2016 Helen Amanatiadis

ART SCIENCE RESIDENCY 2016

19 NOV 2016 2-5PM LAUNCH EVENT / FREE

Helen Amanatiadis’ practice explores the spaces we inhabit – physical, virtual and also spiritual. The space we inhabit is no longer primarily architectural but virtual, to which we are bound via a device permanently attached to our physical body.

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Jennie Feyen 2016 CULTURE AT WORK Artist in Residence

Public Talk & Drinks 6-8pm Thur 15 Dec

Exhibition 11-4pm Fr 16, Sat 17, Sun 18 Dec 11-4 / FREE

Jennie Feyen is currently in a 2016 Art-Science Residency at CULTURE AT WORK.  Beneath The Surface is an art-science hybrid film that presents the ocean as a sophisticated life force and incorporate the scientific findings of Sydney-based researchers in marine ecology and coastal urbanisation.

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